Caravan palace tour 2021 usa
McEwan said this wave of anti-monarchy music, largely driven by white people, subsided in the 1990s as this segment of the population's economic prospects started to improve.
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From left: bassist Andy Rourke, lead singer and songwriter Morrissey (center), drummer Mike Joyce and guitarist and songwriter Johnny Marr. Harry Prosser/Mirrorpix/Getty Images English rock band The Smiths in March 1984. The 1986 track views the monarch as the figurehead of a dissolute empire. Including a comical scene that references a real-life break-in at Buckingham Palace ("So I broke into the palace with a sponge and a rusty spanner/She said, 'I know you, and you cannot sing'/I said, 'That's nothing, you should hear me play the piano'") "The Queen is Dead" by The Smiths pokes fun at Elizabeth. McEwan said a slew of songs that followed in the 1980s - a time of high unemployment and unassailable class divides in the UK - continued to attack the queen for her symbolic status. "By using the title, 'God Save the Queen,' obviously you're invoking the national anthem and making it about more than just her." "It really is an indictment of the system," said Paul McEwan, a professor of media and communications at Muhlenberg College in Pennsylvania, where he teaches a class on pop music history. The song, which the punk band released in tandem with the Queen's Silver Jubilee, equates the monarchy with a right-wing dictatorship. The sentiments changed after The Sex Pistols released " God Save the Queen" in 1977.
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The Beatles' " Penny Lane" is a case in point, with the whimsical lyric, "Penny Lane, there is a fireman with an hourglass/And in his pocket is a portrait of the Queen." Until the 1970s, the Queen of England pretty much only made innocuous cameo appearances in British pop songs. Elton John, for instance, paid tribute to the queen at a concert earlier this week.īut the relationship between British pop and the late monarch has long been much more fraught. At the end of the tour, they count "Do what the musicians like to do – get stuck in the studio again, try things, doubt and find new songs".The death of Queen Elizabeth II has elicited empathy from some British pop artists. We hope to finish in apotheosis in Atlanta on October 31 for Halloween ", sums up Charles Delaporte.Īfter 11 years of career and successes all around the world, the members of Caravane Palace still have under the shoe. Our concerts will start strong, then with music calmer, then it will start again. Playing in the United States has long been a dream for Caravan Palace members, whose musical influences are mostly Anglo-Saxon and American.įor his tour of North America, the group plans "Varied sets with music from our four albums. And then the French electro artists always seem to have the rating here ".
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"We're tackling swing, which is music born in the United States in the 1930s, maybe it's talking to Americans. A success that the bass player of the band has trouble explaining. It is in the country of Uncle Sam that Caravan Palace sells the most records, in front of England and France. We feel the need to explore something else with more pop music, while keeping our coherence with a mix of vintage and modern sounds ", explains Charles Delaporte. "We're trying to get out of electro-swing, which can be very repetitive. The last album of Caravan Palace is a musical UFO that gives pride of place to various musical genres, with influences such as soul, hip-hop, pop or rhythm and blues. Caravan Palace will perform 20 times in 30 days, with a first date in Mexico City on September 28th before skimming the big American cities like New York, Washington, Chicago, Austin and Los Angeles, and going through Toronto and Montreal to Canada (see dates under the article). "We are very happy to come back to the United States and Canada, even if it's not a vacation", jokes Charles Delaporte, bassist of the group. The French kings of electro-swing are back with a fourth album, "Chronologic", and go on tour for a month on the American continent from September 28 to October 31.